3: Patronizing and inept
In this offering, Chesler, the author of 1972's ground breaking "Women and Madness" attempts to connect with my generation and inspire us to become better activists from her mistakes. It's a great concept... if overlooking the blatantly condescending tone throughout the book. Unlike Steinem, Pogrebin, Davis, hooks, etc.. Chesler conveniently forgets that we have lived through the changes wrought by her generation and thus do not want to return to the old days. Although the book is written as a series of conversations , it actually comes off as a stern one-sided lecture where our interjections of knowlledge are not solicited nor welcomed. This self-contratulatory platitude continues despite evidence that generations of people intentionally raised on feminist principles are comming of age, and therefore are more aware of gender issues than she chooses to realize. In fact, we are less likely to perceive those changes in women's status as threatening because of having grown up alongside them. Feminism is a natural language for my generation, and the activist among us are already intimately fammilar with the basics repitiously presented in this book. Additionally, we have our own subculture of feminist industries (Riot Grrrl Music, independent zines, webpages, and prolific writers/public speakers) demonstrating that we know the battle has not completely been won, and previously secured rights must continuously be defended. Instead of issuing an angry and self-righteous screed, the least she could have done was familiarize herself with our work, and our feminist culture. Even if the words and issues are not exactly identical to those of her generation, our contributions to feminist thought are no less valid and deserve to be treated seriously. Because this aforementioned young feminist culture was exposed to the mainstream light in the 1990's partly from the influence of popular artists such as the late Kurt Cobain (Nirvana)-it is difficult to believe Chesler did not know young feminists were organizing or there were projects (such as Rock for Choice) that were continuing the work her generation had begun decades earlier. With a more proactive and realistic perspective on youth organizing, she could have reached out to my generation, but the patronizing tone effectively undercut whatever sincerity she may have had for helping continue activism. Although she played an important role in the past, this book suggests she will be unable to make different future contributions.
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