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Title: Fela: From West Africa to West Broadway
ISBN: 140396209X
Author:
Publicate Date: 2003-07-04
Publish: 2003-07-04
List Price: $85.00
Average Customer Rating: 4.0
Format: Hardcover
Amazon Lowest New Price: $68.07
Amazon Lowest Used Price: $45.00
Amazon Merchant Price: $68.07

Customer Review:

1: Different perspectives about Fela
This book is a collection of essays about Fela's history in music and politics. It also contains information about his lifestyle, which was unique, to say the least. The perspectives are so varying that one can't help but conclude that he was enigmatic, sometimes brilliant and other times misleading or delusional.

Fela's music was introduced to me 20 years ago by a roommate from Ghana. I was lucky enough to see Fela in concert. He was incredibly charismatic and his music took over the unsuspecting audience at The Greek Theater in L.A. I didn't know he'd been tortured when I saw that concert, but it makes sense to me now, after seeing the fierceness with which he carried himself. The man had a Muhammed Ali type confidence that he backed up with an incredible show.

My goal in buying this book was to learn more about the man. After reading these essays, I was delightfully puzzled and realized that nobody really understood him--I wonder if he understood himself. Regardless, his music was groundbreaking and remains unique. It's still fresh.

2: Multifaceted look at the Legend
Afrobeat is a marriage of funk and jazz mixed with Yoruba and Highlife music. Considered the father of the Afrobeat style, Fela Anikulapo Kuti is as famous for his music as his personal life. These essays investigate his life, his art and his legacy, including the controversial issues.

Knox Robinson explores the cult of Fela as it exists today, Mabinuori Idowu recounts the key events in the life of the legend and Joseph Patel discusses Fela's influence on hip hop and dance music. In her first of two essays, Vivien Goldman looks at his spiritual life and in the second she writes about the visual aspects of his world, like fashion, dance etc.

There are also interviews with Fela's son Femi (by Jerome Sandlarz) and an interview with Fela from 1983 by Barney Hoskins. A 1977 diary of John Collins that he kept while acting in the film Black President is included. Other contributors include Delede Jegede who writes about cultural aspects of Lagos and Ghariokwu Lemi, the artist who designed Fela's album covers.

The book concludes with an index and a Fela Timeline from his birth in 1938 to the latest related events in 2003 after his death in the late 1990s. There are 11 color photographs and about 30 black and white ones. The many illustrations include cartoons and a map of Nigeria.

This is a great book that illumines the life and work of this fascinating Nigerian musician and counterculture hero. His lyrics are quoted extensively but there is no systematic rating or reviews section for his albums. The inclusion of a discography would certainly have enhanced the book, especially as a reference source.

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