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Title: The Kid Stays in the Picture
ISBN: 0786860596
Author:
Bob Evans
Publicate Date: 1994-09-08
Publish: 1994-09-08
List Price: $33.95
Average Customer Rating: 4.5
Format: Hardcover
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Amazon Lowest New Price: $10.00
Amazon Lowest Used Price: $0.28
Amazon Merchant Price: $27.16
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1: Great
The Kid Stays In the Picture is another in a series of stylistic documentaries over the last few years that seems to be reinvigorating the form by using different narrative and filmic techniques in service to a story. In Winged Migration it was an interplay of raising birds from hatchlings, mixing great flying footage with special effects, in The Fog Of War it was juxtaposing a man's life (ex-Defense Secretary Robert McNamara) with his beliefs, & then with special effects and facts not widely known, but this film goes the furthest in pushing this technique, to almost docudrama, and it succeeds brilliantly. As a work of art it's a tour de force. It's subject matter may seem a bit more problematic- it is not the life of a major political figure, but of a Zelig-like Hollywood mogul- Robert Evans- whose rise and fall is chronicled mostly by his own narration, & the computer effects of taking still photographs & making them come alive. There is very little of the talking head phenomena that infects most film documentaries. In his behind the scenes with the stars life Evans resembles rock DJ Rodney Bingenheimer from the documentary The Mayor Of Sunset Strip, and in its blend of subjectivity with reality it shares a kinship with the Harvey Pekar docudrama American Splendor, yet it succeeds far more than either of those two films because its subject is not an oddball, and has actually led a life worth examining. Neither Bingenheimer nor Pekar ever had the personal success Evans did.... Filmmakers Brett Morgen and Nanette Burstein have achieved something rare in the film world- a documentary that both pushes the genre's boundaries yet achieves what all but the very best documentaries achieve- insight into its subject matter. Evans is a man who is both a starmaker and starstruck fan, barren chaff yet sage insider. He is truthful- to a degree, arrogant, yet self-deprecating- a refreshing turn from many self-satisfied and dishonest documentaries. This film was clearly worlds better than Bowling For Columbine- the doc that won the Oscar that year, yet the reason for its not winning, nor even being nominated, is obvious- aside from the fact Evans made many enemies in Hollywood. Most viewers will forget it is a documentary while it's being watched. So effectively subversive are Morgan and Burstein in their technique that it works against them in terms of recognition. Yet, this film, not Columbine, will be studied in film school.
As for the features, there is not much- no making of documentary, just assorted interviews with celebrities at the film's premiere, and Evans accepting some awards. The commentary track by Morgan and Burstein is superb, one of the best explications of the marriage of technique with subject matter you're likely to hear.
A cynic might argue that the film is an homage to a talentless actor who just had a knack for being in the right place at the right time, and to a degree that's true. But, the film is really about the solipsistic nature of all people. We know that. We are that, by and large. It's only when we see that in people richer, more famous, and more rewarded that we look away from ourselves. The film opens with a quote from Evans: `There are three sides to every story: my side, your side, and the truth. And no one is lying. Memories shared serve each one differently.' Rarely has such truth been admitted by anyone in film, rarer still something done with it. This is why The Kid Stays In The Picture is a great documentary.
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2: Entertaining
An inside look at a major player during the 70's, 80's, and 90's. You have to admire Robert Evans' chutzpah, and I think it was his egomania that got him back up each time he was down for the count. It's a delicious and dishy look at hollywood during a very exciting era. I can't say that the book will stay with you long after you've read it, but while you are reading it you won't be able to put it down.
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3: Meeting 'The Kid'
I met Bob Evans a couple of years ago at Book Soup on Sunset Blvd., for no less a 'literary' L.A. event than a 'book' signing for the release of 'Kid' on cd. I stayed after, to speak with the legendary producer and get my 1st ed. copy of 'Kid' signed. When the last guest had left, only myself, Evans and Army Archerd (with a Michael Clarke-Duncan size bodyguard) remained. I told Mr.Evans that I have great admiration of for his work and that meeting him was a dream come true for me. Evans' story as meteoric rise to head of production at Paramount and white-hot, sub-orbital fall due to substance abuse is an amazing tale of genius and hubris. Evans was personally involved in producing some the classics from a cinematic-artistic Golden Age: The Godfather, Chinatown, Harold & Maude, to name a few.
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4: Absolutely fabulous!
This is a splendid chronicle of a remarkable career, though I can't help but wonder if Evans wouldn't have been happier if he had just learned to love himself for who he is.
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5: Honest and absorbing
I've read just about every autobiography I've come across, but I'd have to say Robert Evans has taken a more honest and critical look at his life than anyone I've ever read.
I can't imagine anyone wouldn't find this book absorbing and interesting
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