 |
|
Title: Spring Snow
ISBN: 0679722416
Author:
Yukio Mishima
Publicate Date: 1990-04-14
Publish: 1990-04-14
List Price: $14.95
Average Customer Rating: 5.0
Format: Paperback
 |
|
|
|
|
Amazon Lowest New Price: $8.35
Amazon Lowest Used Price: $5.73
Amazon Merchant Price: $10.17
|
|
|
|
|
|
|
|
|
|
|
| Customer Review: |
|
1: Romeo and Juliet, Japanese version
I really enjoyed this book, the story is the classical tragic love story, but set up in Japan, and written through a Japanese point of view. So the surroundings or the landscapes became part of the story, the description of the moods of the characters are beautifully portrayed in the nature that surrounds them.... I thought it was lovely.
A lot of people wrote on these reviews that the translated version misses out a lot of things, but this always happens when translating, and as I can't read Japanese, I was happy with being able to read it in English!
|
2: Mishima's Masterpiece: Forbidden Love and the Reincarnation of Kiyoaki Matsugae.
Yukio Mishima (The Sailor Who Fell From Grace with the Sea) is the fascinating subject of two recent DVD releases Mishima: A Life in Four Chapters - Criterion Collection and Patriotism - Criterion Collection. His 1966 novel, Spring Snow (Haru no Yuki), is the first in his "Sea of Fertility tetralogy," which also includes Runaway Horses (1969), The Temple of Dawn (1970), and The Decay of the Angel (1971). (Mishima committed ritual suicide on the day he completed the final book in his tetralogy, November 25, 1970.) Considered to be his masteriece, Mishima's tetralogy follows the successive reincarnations of Kiyoaki Matsugae (1895-1914). Set in the early years of the Taish?? period (1912 to 1926), Spring Snow tells the story of a two-year relationship involving forbidden love between Kiyoaki, the 18-year-old son of an aristocratic family, and Satoko Ayakura, the 20-year-old daughter of an aristocratic family. Kiyoaki's friend, Shigekuni Honda, a law student, observes the events set forth in the novel. After Kiyoaki and Satoko meet under a bad omen: a dead black dog at the top of a high waterfall, Satoko asks Kiyoaki, "Kiyo, what would you do if all of a sudden I weren't here any more?"--a question which vexes Kiyoaki throughout much of the novel. Satoko is under instruction that she should not lose her virginity before being touched by any bridegroom chosen for her. After experiencing their first kiss together on a rickshaw ride in the snow, Satoko and Kiyoaki exchange love letters and eventually make love, before Satoko accepts the marriage proposal of another man, Prince Harunori. Meanwhile, Kiyoaki has a series of prophetic dreams before he dies at the age of 20. The novel was adapted into a 2005 film of the same name starring Satoshi Tsumabuki as Kiyoaki, Y??ko Takeuchi as Satoko, and Sosuke Takaoka as Shigekuni Honda. Spring Snow attests to the rare genius of Yukio Mishima.
G. Merritt
|
3: Spring Snow
Japan. 1912. Japanese society is divided, or at least complex. Still with most of it's body and soul in the ancient tradition of the East, but with ever increasing impulses towards the "Western culture" (In the unsemitically correct reality, we of the "West" have infinitely more in common with the traditional culture of the East than we do the current world-wide Weimar Republic, but oh well). Mishima, the author, was more or less a Japanese representative of the "conservative revolution", and appears to have been quite well read. His life reminds me in many ways of Corneliu Codreanu and Julius Evola. His well-known dramatic ritual suicide as a protest against the betrayal of tradition in Japan, and the Japanese submission to American rule, followed him and his radical "right wing" organization's (The Shield Society) failure to arouse the Japanese Defence Force into rebelling.
The book is the first in a tetralogy, and follows Kiyoaki Matsugae, a young student from a family of the lower nobility in his relationship with Satoko Ayakura, the daughter of one of the 28 families of the higher nobility, her being the daughter of a count. The book in many ways actually reminded me of the excellent "Victoria" by Knut Hamsun, with the constant back and forth in the interaction between the characters, sometimes they love each other dearly, and at other times torment each other. Such is the nature of difficult relationships, I guess! The book paints a very vivid picture of the end of a noble era, and the translation I read was excellently done. The moral teaching of this period, and it's sometimes less noble effects is excellently portrayed.
Through certain misunderstandings, Satoko ends up being future wife of one of the royal princes, and Kiyoaki is driven to despair. Long story short, as all the books in the series, there is no happy ending, but that is basically the ending of all our lives. This is a book I highly recommend, and apart from a few minor flaws, it is all in all an excellent tale, and I look very much forward to reading the rest of the series. 4,5 stars.
(I read a different edition)
|
4: Boring and maudlin
Maybe it was a bad transalation. Maybe I could not relate as a westerner to an old Japanese story, but I really did not enjoy this book. It was maudlin and unbelievable. Story was boring. Character development was terrible and it was poorly written/transalated. I recommend Murakami's Norwegian Wood for those who want to read books by Japanese authors.
|
5: the beauty and destructive power of all-consuming love
Mishima's Spring Snow is a coming-of-age tale for nouveau riche Kiyoaki, whose naive childhood crush on the more mature Satoko grows into something much more powerful, beautiful and, ultimately, destructive. Kiyoaki's failings are human and familiar; acting on rash impulses, immaturity, a failure to realise what he wants till he has lost it. Mishima's characterisation is finely drawn and accurate. The scheming Tadeshina turns out to have her own secret heartbreak, enervated Ayakura lacks guile but not luck, the ancient loyalties of the Abessess make her a formidable eminence grice. The characters are at once individually drawn and representative of a unique and fascinating era of flux and change in Japan, as ancient modes of behaviour gave way to modernising forces. Mishima's novel is both of its time and timeless. A true masterpiece.
|
|
|
|
|
