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1: the best
the best theatre history book out there. A great tool to send off for more research
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2: Beware false idols.
Some theatre students and teachers take this book for a theatre history bible of sorts. Unfortunately, this results in readers switching off their critical thinking skills and accepting Dr. Brockett's values and opinions as facts. The scholar makes history and Brockett's history privileges debated concepts such as ritual-origin theory and drastically undervalues accomplishments of othered groups such as 17th century English actresses. (They get a whopping two sentences!) While this book is good for pedestrian and generalized descriptions of major figures and events (from a 20th century perspective), it is far from exhaustive. Alternative historical theories are not given much thought and the author presents opinion and theory as empirical fact regularly throughout the text.
God is dead.
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3: dry, but good
Having taken a course that required reading the book I can safely say that it is dry in some sections of history due to the "PC" nature of it's telling. But it's mostly an interesting resource and reference book for theatre buffs and history buffs alike.
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4: Yes, Oscar Brockett is God
I had the pleasure of being Brock's student for three years at the University of Texas. The book is phenomenal, easy to read and amazingly complete. The History of the Theatre experience should also be augmented by the opportunity to hear Brockett speak. He is erudite, funny, a lively teacher and an incredible intellect. There is no other book to serve as a reference and introduction to theatre history. No other book and no other teacher so expertly and informatively makes you realize the interweaving of theatre and society throughout its long history. IMHO, Brockett should write the history not just of theatre but of everything. His non-didactic, straight-forward and lively prose would make any work of history or criticism on any subject a delight.
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5: An Excellent and Thorough Text Under Great Editorship
As a former student of Franklin J. Hildy's, and a reader of the Brockett text for several theater courses, I must highly recommend this book to anyone seeking a detailed, yet expansive, overview of the history of the theatrical arts throughout the world. Dr. Hildy's passion for and knowledge of the subject matter is rivaled by none and the complete scope of this project would have daunted many editors less competent to undertake such a task. A great reference text as well as course material. I often find mine useful in day-to-day queries as well as research on period and scenic styles.
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